Tuesday, 15 December 2020

Cover Story

When I first published The Zhala Trilogy I had the notion that I wanted them to look austere and anachronistic. In particular I was attracted to the aesthetic sensibility of the designs Romek Marber did for Penguin paperbacks in the 1960s. To me they communicated a stylish austerity that complemented and, at the same time, partially concealed each book's subject matter. So with character art commissioned from Brent Skinner that's what I did. I made my Marber Grid template and created my covers being very much pleased with the end result. The font used on all of the cover text elements was another wilfuly bleak choice and, in a final iconoclastic, flourish I reversed the normal orientation of the spine aping the style of a Russian or French novel.
While the covers greatly appealed to me it had somehow slipped my mind that I'm not the person who's supposed to be buying these books. Something more professional and commercially compelling was required. New covers were commissioned from Sarah Waites who did an absolutely oustanding job of capturing the essence of the books. The colour sequence of the originals has been retained in modified form and the character on the cover of the final book switched to Zhala from her father.